Setting Your Goals for Music

It's always a good idea to write down your goals.  Writing them down helps you to understand what those goals are and gives your subconscious a target to aim at.  You should also identify the time period in which the goals are to be achieved.  Having open-ended goals means that they won't be achieved.

My goals (right now) over the next year (to the end of 20120 are these:

1.  To know my string bass neck thoroughly by feel, and to be able to play every major and minor scale and major and minor arpeggio instantly and accurately, including modes.  This will develop my ear and muscle memory to a fine point.  To do this, I must practice for an hour or more every day and make it a regular "must do," like brushing my teeth.

2.  To become much more adept at reading sheet music and charts, so as to learn and play new songs more quickly and accurately.

3.  To play my string bass in practice and gigs; not to replace my bass guitar, but to augment my musical effort.  To do this I must practice my string bass more and learn the best way to amplify it for gigs.

4.  To understand and apply voice leading techniques to bass playing.  This means dissecting the chords in all blues keys and standards that I know, and arranging the arpeggios to produce smooth bass lines.

5.  To play at least 50 top jazz standards well on string bass.  (If I learn one new standard a week, this won't be difficult.)

6.  To develop my singing voice well enough to support the band's vocal efforts, and to be able to sing without fear or shame because I will actually sound good!  This means I must practice singing every day as well as practicing bass, and must devise a practice plan for doing so.

7.  To gig weekly for pay, using my string bass, my bass guitar, and my singing voice.

Well those are my goals for right now.  What are yours?

My First Vocal Efforts: "Scotch and Soda" and "All of Me"

I have been reading about learning to sing, and one of the first things you must do is lose your fear and your shyness. Let it all hang out, baby. Putting a recording of your own amateur singing voice on the web is like mooning a band of mad Apaches...with bows and arrows!

Nevertheless, here's my first effort, recorded after many unrecorded trial runs, using only my laptop's built in microphone to record it...but enough excuses, have a listen.

Here's "Scotch and Soda":



The balance isn't great -- my voice is too loud compared to the instrumentals.  I will work on getting a better balance.

Here's "All of Me":



My feeling is that it's a start, but only a start to build on.  I need better recording equipment and software.  My voice is too loud in these recordings and seems blaring and harsh.  I'd love to turn my own volume down a bit and add a touch of bass.    Anyone know of any good and not too expensive solutions to these problems?

Scotch and Soda: Kingston Trio, One of My All-Time Favorites

I have loved this song since I first heard it fifty years ago.  It was recorded by the Kingston Trio in 1958.  They were amazing.  I was in love with a girl and it wasn't going anywhere, and this song always gave me solace without actually needing a drink.  The song is now listed as part of the jazz genre.  I purchased a karaoke version of the song and will use it to practice singing this week.

Rattle Snake Ridge Band Kickin' Butt, Menlo Park, July 4th, 2011

My friend Jeff Perez and his group, The Rattlesnake Ridge Band, in a live performance. They played at the Veterans Administration facility on July 4th, in Menlo Park, California. My former band, Legends in Their Own Minds played as well.

I have often stated that the Legends are weak vocally, and the RR boys really outshined us in singing on that day. Have a listen.

Can I Learn to Sing?

One thing I like about the Shiloh Band, with whom I am currently practicing, is that they want a lot.  I feel challenged and I like that.  They more or less expect everyone in the band to contribute to the singing effort.  Up to now, I have only sang backup.

I sang some songs to Karaoke music yesterday and recorded it, and I am definitely not ready for prime time.  I can stay on key most of the time, but in the higher registers my voice sounds strained.

Today I started watching the free voice training videos on eHow (see sidebar for links under "Singing, etc").

The voice training instructor there says you can strengthen your voice and extend your range by practicing arpeggios with your voice, i.e. singing the separate notes of chords, ascending at half steps.  For example, sing C - E - G -C - G - E - C.    (The last C is the octave of the first).  You are singing major chords here, the first, third, fifth and the octave of the scale, up and then down again (see the C chord above as an example).  Then sing the next chord a half step up, i.e., C# - F - G# - C# - G# - F - C#, and so on.  You go as high up the scale as you can without straining your voice, and over time you will be able to go higher as your voice strengthens.

There's more to it than that, of course, and the instructor explains techniques and practice points.

This week I added singing exercises and practice to my regular practice time.  Now I not only practice bass, but singing as well.  For me, practice includes actually playing and singing, but also studying the theory behind it all.  That means reading, and you can find a lot on the web about your instrument and your voice.

I am interested in buying a software program to help me develop my singing.  Some of these, the ones that appear highest rated by users, are also the most expensive.  You get what you pay for.

Alvin the Chipmunk as Front Man for the Band

Great singing is a must for bands.  If you can sing on key, that's half the battle, but it isn't good enough.   Alvin the Chipmunk sings on key, but you wouldn't want him for a front man.  Ditto for Pee Wee Herman, Minnie the Mouse or the late Tiny Tim.

A great voice needs passion, warmth, what they call "soul."  It also needs strength.  I heard one of my new associates sing "Mustang Sally" at our last practice, and it was really good.  It was as if he had bass speakers in his throat.  He had volume and power.  He knew how to "belt."

I read something about singing recently, that said there needs to be a lot of vibration in your nose, vocal chords, lips, etc.  There are lots of tones and undertones and nuances that have to be there.

How do you get all of this?  If I knew that, I'd be a lead singer.

Leaving the Legends

I have begun practicing with a local Hollister band and by mutual agreement, have left the band "Legends in Their Own Minds."  There are many videos of the Legends practicing and gigging, embedded in this blog.  Scroll down to prior postings to find them.

I was with the Legends for one year and seven months, and it was a beneficial association for me.  Practicing twice a week, and gigging occasionally, developed my skills.  As a result, I am now the best bass player I have ever been.   Thanks for that, Legends, and good luck in the future.

I want to go in a different direction now.  I am interested in playing jazz swing and jazz standards, with some classic rock and country thrown in.  An avenue opened for me and I had to take it.

What Is The Optimal Number of Band Members?

If you want to get gigs, you need to reduce the number of band members as low as possible.

Six member bands may sound great, but a lot fewer gigs can afford them.  So what is the optimal number?

For a full, rock sound, I think you need three minimum:  guitar, bass and drums. For a jazz trio, keys, bass and drums.  Now if you can keep it to three band members and everyone can sing, that is the best alternative.

If you are going to play only instrumentals, the lack of a lead singer isn't a problem.  However, if you are going to play rock, standards, country and numerous other genres, you have to have a lead singer.  You can then recruit a great singer and add a fourth member to the band.  If this is necessary, look for a singer who also plays an instrument, perhaps rhythm guitar.  A rhythm guitar isn't strictly necessary, but it does give a band a richer sound.  If the rhythm guitar player can also double on harmonica, all the better.

Once you have developed a reputation, a following and are getting gigs, then you can think about adding a keyboard player, a saxophonist or other musician.

In most bands, however, the singing is the key to success.  You have to have a good lead singer.  Without one, you won't get as many gigs or playing opportunities.

How I Learn New Songs: a Roadmap for Bassists

I am learning a lot of new songs in preparation for a band performance.  I follow a predictable pattern in learning new songs.

1.  Buy a copy of the songs off of Amazon.com (or Napster or other sites) or record them off of YouTube videos.  The quality of the latter is good enough to practice with, but if you want to listen to these tunes in your car, it's better to buy a quality copy.

2.  Listen to the recorded songs from #1 above, particularly if you aren't familiar with the songs.  Listen for the bass part and mentally note any "signature riffs."  Signature riffs are bass runs that the audience will expect to hear if the performance is to be credible.  An example might be the bass part to Creedence's "Down on the Corner" or Roy Orbison's "Pretty Woman."  You have to play these riffs.

3.  Create a song list (I use Excel for its editing and sorting abilities) of all the songs.  For my current project, I have listed the songs by set, sequence number and key (the key used by the band, not the original performer necessarily).

4.  Download chords and lyrics for each song in the list.  You can do this at chordie.com or other sites (see links in the left sidebar).  Print out the songs and put them in order.  If you can't find the chord tabs in the desired key, you can convert the chord notations using a chord chart converter.  I will prepare one and post in a subsequent post; meanwhile, google "music chord converter" or some such and you will no doubt find one on the web.

A Successful Band MUST Have Excellent Singing Voices

On Thursday evening last, I practiced with a local band here in Hollister, the Shiloh Band.  Actually, I only practiced with the two lead singers just to get acquainted, and I may begin playing with them on a regular basis, if the rest of the band likes me (and I like them).

One thing that impressed me was the quality of singing voices in Noelle and Steve Sladon.  You can't play and sing the Eagles' "Love Will Keep Us Alive" without really excellent voices.  You may get by in a pinch with a mediocre voice, belting out rough and guttural rock songs, but that isn't going to take you far enough.  The voices are the steak, the instrumentation merely the condiments.

I don't believe the band I am currently in will go very far with our current vocal abilities.  However, I don't contribute much to our vocal effort, so it's easy for me to say.  One thing is certain, however, I must sing more and I must improve my singing voice through training and practice. I must contribute a lot more than I am now doing, because problems don't fix themselves and merely griping about a problem won't fix it.

As a bass player, it is difficult to sing lead and play bass riffs at the same time.  It can be done, as Paul McCartney has proved, but I am yet to do that.  I will start including singing as part of my practice routine, recording it and striving to improve it.  In the vocals department, every member of the band must contribute.  Simply playing an instrument is not enough.

I will look into voice training and lessons as well, and let you know what I find out.