Building Great Bass Lines

If you want to be a great bass player, you need to understand chord structures and bass lines.  A great bass line is a string of notes that move smoothly from one chord to the next.  Generally the notes go up and then come down, a nice swing from low to high to low again.

I am really into studying bass and the composition of bass lines to jazz standards.

I am using my musical notation software to write walking bass lines to jazz standards.   This is giving me insights into jazz and chord structures.

My musical notation software allows me to write out a sheet of music, using the notes that I choose myself.  Then it lets me play the music back on my computer, so I can hear how the composition sounds.  If I don’t like the sound, I can change the notes to make it better.

I am studying something called “voice leading,” which means that when you play one chord (say Cm7 followed by F7), you move from the last note in C7 to the nearest note in F7, not necessarily to the root note, but to whatever note is closest.  It could be the 1^st, 3^rd, 5^th or 7^th of F7 in this example, but it can also be a passing note, a note in the respective scale that is not a note in the chord.

You could play Cm7 followed by F7 using chord notes in order:  C Eb G Bb  --  F A C Eb and it would work but sound dorky.  Using voice leading you could smooth out the bass line by playing the chords in this order:  C D Eb G, F G A C.  of course, D is not a note in Cm7 and G is not a note in F7, these are passing notes that smooth out the bass line and it sounds good.  The best use of passing notes are on the 2^nd and 4^th notes in the chord.

I am writing out a bass line to Autumn Leaves in G minor (Bb major) just to solidify my understanding.  I won’t do this for every song in my repertoire, but I will study each song separately to get the gist.

More about this later.

Breaking Into the Bay Area Jazz Scene; Dealing With a Rival (Audios)

On March 3rd I practiced with a group of very professional jazz musicians in San Jose, California.  With any luck I will play with them again.  The sax player was amazing.  Listen to the audios linked below and you will see what I mean.

On Friday evening, I and some other musician friends went to the GVA Cafe in Morgan Hill to listen to our keys man perform with his Jazz fusion band, Fusion Blue.  They were fantastic.

The keys player in Fusion Blue, Rafael Espanol, has taken us under his more experienced wing, and we practiced yesterday at his home in San Jose.  We tried out a female singer, who was quite good.  We're hoping to have her join our fledgling efforts at forming a jazz band.

The Cats Jazz Band, an adult education project of which I am a part, continues to study sheet music of famous jazz songs.  I still struggle with reading music.  I can read it, just not fast enough yet.  Sight reading is still beyond my grasp.  To make matters worse, the Cats has another jazz student who currently plays guitar, but is mostly another bassist, and he has wanted my job for the last two years.  He thinks he is better than I am, and has taken to offering me criticism disguised as advice.  His comments about my playing took a turn for the worse this week, when he became insulting.  I told him his comments were presumptuous, and asked him to stop giving me advice on how to play bass.

I won't complain too much, however.  His negative comments only spur me to practice harder, so I can blow him away, musically speaking.

Here are some songs from the March 3rd practice, which so annoyed my rival:

Autumn Leaves:  http://yourlisten.com/Stogiebass/autumn-leaves-practice-01

On Green Dolphin Street:  http://yourlisten.com/Stogiebass/satin-doll-practice-01

Moondance:  http://yourlisten.com/Stogiebass/moondance-practice01#comment

Blue Bossa:  http://yourlisten.com/Stogiebass/blue-bossa-practice-01

Four on Six:  http://yourlisten.com/Stogiebass/four-on-six

Cats Swing Band, Full Recital, 11/13/2015

We had a recital for our jazz/swing band last night.  You can listen to the entire recital at the link below.

My bass playing, IMHO, has improved greatly since I joined this band.  I have turned a corner.  I am not where I want to be just yet, but I am happy with my progress.

If you want to be a successful bass player:

• Learn music theory
• Learn bass techniques
• Learn SONGS.  The more songs you learn, the easier it is to learn new ones.  

Here's the link:

http://yourlisten.com/Stogiebass/catsrecital11132015

Moondance: the Best Jazz Version Ever (#PlayingBass)

My jazz/swing band is practicing "Moondance," the great Van Morrison rock tune, which is also suitable for jazz versions.  I used to play this song often with a rock band, but how do you transfer it to jazz?  So I have  been viewing jazz versions on YouTube to learn just that.

I came across this version by the New York Jazz Quartet.  In my opinion, this is the best jazz version ever of "Moondance."  See if you agree.  Watch the video below.

My Jazz Band: Two Great Tunes, Live Performance #jazz #swing

Here's a couple of songs my band is studying right now.  These recordings were made at our regular weekly practice.

All Right, Okay, You Win

L-O-V-E

If possible, listen with earphones, otherwise you can't hear the bass and get the full effect.

Update for Georgette:

I added some more songs.

Dreamsville (Practice Sesson)

Cute (Recital)

Corcovado (Practice Session)

Satin Doll (Recital)

Don't Get Around Much Anymore (Recital)

Embraceable You (Recital)

In a Mellow Tone (Recital)

A Swingin' Safari -- Great Jazz from 1962

When I was in high school, I lived in San Jose, California with my parents. They ran a music school for guitar in Salinas, California, and on Saturdays would drive there to teach. One Saturday in 1962, I tagged along. There is a stretch of highway there that is lined with tall Acacia trees, and which was featured in Alfred Hitchcock's movie "Vertigo." As we were cruising through these trees in my father's 1961 Cadillac, a song came on the radio that I had never heard before. It was called "A Swingin' Safari." I loved it immediately and was thoroughly enchanted by it. Now, all these years later, I still hear it playing in my head whenever I drive that tree-lined highway.

 Thanks to YouTube, there are several good versions of this song in video, but I like this one best. Cute early 1960's girls don't detract a bit. See and hear for yourself.

If you can hear this song and not feel happy, there is something seriously wrong with you.

 

Vince Guaraldi's Sacred Concert at Grace Cathedral to be Celebrated August 15, 2015

As a Vince Guaraldi fan, I have met and made contacts with other fans through articles on another blog. I received an invitation from jazz pianist Jim Martinez to attend the 50th anniversary sacred concert of 1965. Jim's jazz quartet will be substituting for the Vince Guaraldi trio/quartet, as alas, the great Guaraldi is no longer with us. Vince Guaraldi was the jazz pianist whose jazz trio provided much of the theme music for Charles Schultz's "Peanuts" television specials. Some of Vince's most famous hits include Oh Good Grief, Linus and Lucy, and Christmas Time Is Here.   His biggest hit, not related to "Peanuts," was undoubtedly Cast Your Fate to the Wind, a jazz piece that in 1963 became a cross-over hit in popular music.  I still love that song, and it remains one of my favorites of all time.

Vince Guaraldi died of an aortic aneurism (not a heart attack, as is so often wrongly reported) during a gig in Menlo Park, California, on February 6, 1976. He was only 47, and could have given so much more to American music. Every Christmas, the hits on this blog linking to Guaraldi increase dramatically. "Peanuts" Christmas themes are played on television, and many folks note that the music is attributed to someone named Vince Guaraldi. They google the name, and begin a search for who he was and how he died.

Among Vince's accomplishments is playing for a sacred concert in Grace Cathedral Church in San Francisco. His sacred concert took place on May 21, 1965.  A couple of years ago I drove by Grace Cathedral while doing some accounting work near it.  I thought about Vince's sacred concert, and felt sorrow that I had not been there and did not hear it.  Now, however, I can experience a worthy facsimile of it, by attending this celebratory concert on August 15, 2015.  So can you.

You can read more about it at the website All About Jazz.

If you live in the San Francisco Bay Area, please come and hear this musical tribute to a very great musician.

Lessons Learned: My Progress on Playing String Bass

Listen to the Band Here.

Last night my Big Band, now called "the Cats Swing Band," gave a recital to mark the end of the semester. The Apostolic Church on Parr Avenue in Campbell, CA were kind enough to make their church available for our performance, and the pews were filled with friends and family. 

I played my acoustic string bass, and all the band members loved it more than my bass guitar.  My friend and attorney, who plays alto sax in our band, said that there is "no comparison" between the sound of my stand-up bass and my bass guitar, and he favors the former.  I agree.

However, a string bass requires a lot more stamina, and I need to improve mine. I was pooped by the end of the performance.  Playing a stand-up bass is much more physically demanding than playing a bass guitar.  This means I need to do my practices on my double bass (string bass) rather than my bass guitar.  I need to run several fast plucking exercises each day, perhaps by playing a few stanzas of a fast jazz song, like the jazz piece "Cute" or "The Blues Walk."  Do it until I get tired.  Learning to play bass is more than just reading notes and learning chord patterns; it also involves study of technique and gaining the physicality needed for long and loud performances. 

Everyone told me I played quite well, but being my best critic, I am far from satisfied. I was, however, blown away by the enthusiastic audience, who broke into raucous applause when our lead tenor sax player soloed.  They broke into applause several more times before the performance ended.  This was thrilling for me, as I have played in many bands, but have never experienced this before. 

Everyone in the audience was grinning, open-mouthed, from ear to ear, including my always grouchy little wife. Afterwards we had a pot luck dinner. The band was ecstatic over the successful performance.

Some important milestones for me:
My new Acoustic Image Contra 4 bass amp performed very well:  I could hear my string bass above the orchestra!  The tone was great -- it sounded acoustic rather than electrified.  Some performances are known as "noisy gigs," and a band our size (15 members, mostly horns) creates a lot of volume.  However, my new amp has solved the problem of being heard, without feedback.  This was the best $900 bucks I have spent recently on my musical pursuits.

My Tuff Bag protected my bass:  I learned that my Calin Wultur Panormo bass is actually 7/8 size, not 3/4 as I thought.  So I ordered a Tuff Bag (gig bag) from a source in Arizona, and it protected by bass quite well, transporting it to and from the gig. No scratches or damage.

My note reading skills continue to grow.  A year ago, I couldn't read notes.  I have come a long way since then.  I am now reading much better in the keys requiring 3 or 4 flats, i.e. Eb and Db.  Learning to read music is a gradual process, a skill gained over time by repetitive exercises.  I can sight read slow songs in the easier keys, but not in more demanding pieces.  I will keep at it, and eventually will be able to sight read even difficult pieces.  Patience and practice are the keys.

Zen and the Art of Playing Bass; and Introducing "The Abe Train" Jazz Quartet

My Big Band music class starts up again tomorrow.  This morning I began practicing the songs (on my string bass) that I learned in the last session.  I noticed how much easier it is to read notes this time around.  What once was torture is now an achievable task.  You do something many times over and it becomes easier to do.  Funny how that works.  I am not "there" yet, but I am further down the road.

Before I started this class, my two string basses sat in their stands, untouched, gathering dust.  No more.  Now they both get handled a lot, played, tuned, adjusted and repaired.   I am forever tweaking the setup of each one, always seeking the best playability (the "action") and sound possible.  I even ordered a well known book to teach me better how to do that:  Chuck Traeger's book, Setup And Repair of the Double Bass for Optimum Sound: A Manual for Players, Makers, And Repairers.

Mastering an instrument is similar to learning a new language.  It requires immersion, study, practice, contemplation and great patience.  Zen might help too, except that it is difficult to play bass while holding the full lotus position.  

Stick with it long enough and you may come up with something like "The Abe Train" (see video below).  The Abe Train is a jazz quartet of young musicians in their twenties.  They are from the San Francisco Bay Area and damn good.  The bass player really grooves.  Use headphones so you can hear every note of their rendition of "Autumn Leaves."

Slap That Bass (Video)

Yeah baby! This is what it's all about.

 

Classic Rock, Classic Boredom: My Sudden Departure From My Band -- Looking Again

It's funny how one's long association with a band can end so suddenly.  That happened to me about ten days ago.  I was practicing with the classic rock band I have played with for three and a half years, on Sunday before last.  The guitar player was nitpicking and nagging me about my bass playing, something she has done since day one (she rags on all of the other band members too).  Even though I believed most of her comments and suggestions were wrong, I kept my mouth shut to avoid offending her, for the good of the band.  This turned out to be a mistake.

By not expressing disagreement, I allowed the irritation of her micromanagement to build up to a critical mass.  During this last practice, she had found a new obsession to feed her control freak streak:  the number of bass notes that I was playing on a brand new song (new to us, anyway).  The song was "I'm Gonna Sit Right Down and Cry Over You."  I think Ringo originally sang it.

I was in the process of discovering the chord pattern and not overly concerned with how close I was playing it to the record.  That would come later, when I practiced the song on my own -- as I had done many times before on prior songs.  Our obsessive-compulsive guitarist, however, felt it necessary to tell me three times that I was playing "three times as many notes" as the bass player on the record.  She was referring, not to the correct chords vs incorrect chords, she was referring to the phrasing -- how the notes are played.  This is a legitimate point, but not one to overwork or over emphasize on the first couple of run-throughs.  I put the song on my list of "new songs to learn," but the third time she mentioned it, I lost my temper.  I told her to "Shut the hell up."  She said "Fuck you" and I returned the suggestion.  Then I packed up my stuff and left, never to return.

I hate to be micro-managed.  It is one of my pet peeves.

The guitar player, Lorraine, has been vigorously pushing the band in the direction she wants to go:  playing classic rock exclusively, as close to the original recording as possible.  I have a problem with the former, not so much with the latter.  Playing classic rock exclusively is boring to me.  Lorraine has pushed us into giving up some good jazz and blues songs, simply because they weren't "classic rock."

The truth is, I want to progress musically, and ridding our repertoire of more advanced forms of music is a big step backwards.  "Classic rock" is overdone and a hard sell, and there is much competition for gigs.  I want to play jazz, blues and standards.  I want to play my string bass as well as my bass guitars.  Now that "the Universe" has taken me out of my musical dead-end, I have the opportunity to find a band or bands that are more to my liking. I feel a sense of release.  Leaving this band was a good thing.

These Dixieland Jazz musicians show up in a cow pasture and serenade a herd of cows. The cows' ears go up and they all turn towards the band and slowly advance forward in a line. The cows are curious and even seem to like it. Now if cows can learn to love jazz, will a cow try to learn bass?  Well, probably not.  Hoofs aren't made for plucking bass strings.

Hat tip:  Stan and Loa Levin

 

Bassist Belinda Underwood Coming to Monterey Bay Area

Belinda Underwood

Belinda Underwood is a jazz bassist and singer from Portland, Oregon. The lady has talent, and she inspires me to go pick up my bass and practice. She will be coming to the Monterey Bay area soon for public performances. I hope to go see her.  In the video below, she plays bass to "Don't Get Around Much Anymore."  This is the kind of music I want most to play:  jazz swing/jazz standards.



I never heard of Belinda Underwood before today.  I learned of her through a link on the Monterey Bay Craig's List (under Musicians).  I watched a couple of her videos on YouTube and became an instant fan.  As well as being an accomplished bassist, she is also an incredible singer.  I purchased her first album online and downloaded it as mp3 files for instant listening.  You can buy her albums at this link.

It's hard to believe someone so talented (not to mention beautiful) isn't better known.  Vocally, she is as good as Diana Krall or Norah Jones.

Tom Shaw Trio: Class in Tuxedos

I like this trio.  They are what I aspire to be.  Well, actually, I don't aspire to be a trio, just a bass player in a jazz trio or quartet.

Scotch and Soda: Kingston Trio, One of My All-Time Favorites

I have loved this song since I first heard it fifty years ago.  It was recorded by the Kingston Trio in 1958.  They were amazing.  I was in love with a girl and it wasn't going anywhere, and this song always gave me solace without actually needing a drink.  The song is now listed as part of the jazz genre.  I purchased a karaoke version of the song and will use it to practice singing this week.

Ted Plays "Autumn Leaves," Jazz Style; Sue Sings "Summertime"

Bro tries his hand at jazz piano, with "Autumn Leaves."

Not bad, big brother. Have a listen below.



The fairer part of the act (Sue) sings "Summertime" and does a record-quality job of it.
Listen below.