Becoming a Competent Musician: Playing Instrumentals Helps

To become a jazz musician, or any genre of musician, you must practice consistently over time, both with other musicians and alone.  Progress will be incremental over time.  You will not wake up one day and voila:  you are a competent musician.  You will get better little by little and you will reach plateaus of achievement. 

It is very helpful to record yourself, especially when playing with other musicians or a band.  Do this for both practices and actual gigs.  The feedback is invaluable.  You can learn what you are doing right and what needs improvement.

I record all the practices with my band.  Over a year and a half, while listening to the recordings, I notice that I wince less than before!  I hear fewer missed beats, fewer wrong chords, better rhythms.  I can tell I am progressing and it is encouraging.

Yesterday, Sunday, August 19th, we had our usual Sunday practice.  Our singer couldn't make it, so we used the opportunity to polish our instrumentals.  It's a different trip to play just instrumentals, because the lead instruments (guitar and piano, in our case) have to carry the lead by themselves. 

Have a listen to the practice here:  www.soundcloud.com/gwaltrip.

A Practice Routine That Seems to Work

In the past month I have finally hit on a practice routine that works for me.  (I play bass and my chosen genre is jazz and jazz standards.)

I study each song in our set list by reference to the chords on the sheet music.  I go through the chords, experimenting on the best way to play major 7ths, minor 7ths, dominant 7ths, and minor 7ths flat 5s.  At band practice on Sunday I figured out how to play a 6 chord, like C6.  It has a unique and pleasant sound.

Each chord in a song doesn't stand alone and can't be taken separately -- the chord that follows is also very important.  You want to move from one chord to the next in a smooth, melodic transition -- this is called the bass line.  A walking bass line is a smooth transition from one chord (or arpeggio) to the next.

Before this approach can be effective, you need to know a bit of music theory.  You need to know scale tones, chord tones and intervals.  You need to know your finger board thoroughly. But how do you get this knowledge?

Most bass courses emphasize practicing scales and arpeggios, and this practice is important; but a little of it goes a long way.  Too much of it is boring and may even be discouraging.  I find that learning the elements of music is best achieved when the elements are being applied in a practical way:  you want to play a certain jazz standard.  So you play that standard over and over, trying different ways to play the arpeggios, different places on the neck where you can access the notes in the chord.  In the process of learning the song, you are also learning your instrument and training your ear.

How do you become a jazz musician?  One professional jazz man said you do it by learning tunes.

Are You Gig-Ready?

"Gigging" is the term that means playing in musical performances.  A gig is a musician's job.  Playing in parties, clubs, festivals and other venues is called "gigging," or "playing gigs."

Being good enough to play in such performances is being "gig-ready."  Being good enough to gig is the goal of every serious musician who wants to perfect his craft.  That's what we strive for in individual and group practices.

To get gig-ready, you have to be willing to "let it all hang out," to coin a 1960's era slogan.  Take a chance.  Perform!  You may screw up, you may make a fool of yourself.  If so, be the fool, after all, it's only temporary.  You are a work in progress, and on the way to becoming a competent musician.

If you don't have gigging as your goal, why are you practicing your instrument?

Back to Square One

I have been practicing with a local group here in Hollister, but they have other commitments and can only practice infrequently.  For that reason, I won't wait for them and any other bands, I will practice on my own.

My goal is to play string bass for jazz standards, jazz swing and mellow jazz.  Therefore, I will discard all practice of other music genres and concentrate on what I love.

I am currently gathering sheet music and chord charts of songs from "the Great American Song Book," that is, standards like "Moon Glow," "Star Dust," "Misty," "All of Me," etc.  I will make it my business to learn many of these songs, and then look for a jazz trio or quartet who loves the same music.

I am cutting to the chase.