Big Band: My First Practice

Last night I had my first practice with the big band.  We will be playing swing and jazz.  The project is actually through an adult education class, with a band leader and various musicians.  There is a big brass section:  a baritone sax, an alto sax, a trombone and three trumpets.  We could use a drummer and a tenor sax.  A guitar is coming.  As for me, "I proudly took my place, as the one and only bass" (from the Music Man).

My attorney (and close friend) plays alto sax, and invited me to join this group.  We are having a ball doing it.  The challenge for me is reading notes.  I do read bass clef, but not nearly fast enough; I can't really "sight read," but this project will help me do that.  I found myself straining to read the notes, and it was challenging, but I am sure I can do it, with enough study and practice.

That's a rule for success in learning to read notes.  Get in a class or program where you are obliged to learn it, with deadlines.  You may never learn anything new without a good reason and a good program for doing so.  With other musicians depending on you, you have a great reason.

I used my Fender Jazz Bass guitar for this first meeting, but will bring my Calin Wultur Panormo string bass to the remaining sessions.  A big band must have a traditional string bass; bass guitars are just too rock and roll.   I splurged on a better pickup, a Fischer, at $200, for my string bass.  Yes, string basses do need amplification (all those horns are loud), but this pickup ostensibly does not alter the warm, woody twang of the bass.

Our first three songs to practice are (1) Sing, Sing, Sing (2) Greensleeves and (3) A String of Pearls, all from the American Songbook of great old standards, which make for excellent jazz pieces.

Slap That Bass (Video)

Yeah baby! This is what it's all about.

 

My String Bass Practice Routine: It's Working!

My Calin Wultur Panormo
Carved String Bass

I have been playing my upright bass for the past 3 or 4 days, using Vince Guaraldi's Christmas album as the music to accompany.  My idea was to bring myself up to speed, physically, on the string bass so I can look for bands and gigs.

The practice routine is working.  Each day I seem stronger and can play longer before tiring out.  In fact, my progress is faster than I expected.  The first couple of days provided a blister on my right index finger -- the one used for plucking.  It's no longer sore and is becoming a callous.

Some aspects of playing an upright or string bass should be considered carefully before switching from bass guitar.  The upright bass is much more physically demanding.  You may be able to remove some of the stress by using medium or light gauge strings instead of heavy gauge.  I changed mine, and the results were quite beneficial.  Lighter gauge strings don't have as much volume, but if you are amplifying your bass with a pickup or microphone, that doesn't really matter.

Another physically demanding aspect of the upright is the neck.  Yes, it is much thicker and also much longer.  However, the length does not give you more notes.  The upright bass neck actually offers you less notes, not more.  The neck is long, but so are the half steps (what would be frets on a bass guitar) down the bass.  An upright player must use the open strings more often than is necessary on a bass guitar.

I was surprised this week to find how easily I can press the strings to play arpeggios and bass lines.  Yes, the neck is thick, but not so thick that an experienced bass guitarist can't handle it.

In short, my conquest of the string bass is easier than I expected, though it does require effort.  My next goal is to buy the best pickup for the bass that I can afford.  That will cost me around $195   Ouch.

Switching to Double Bass From Bass Guitar: Getting In Physical Shape

I have some time off from my regular rock band and now have the time to get up to speed on double bass (i.e. my big stand up acoustic bass).  I haven't touched my double bass in months and I know the transition back to it will involve effort.  On a stand up, the strings are usually heavier and the neck bigger.  More effort is required for both pressing and plucking the strings.  And, there are no frets!

Dealing with no frets:  I decided to deal with this my marking note positions on my neck with a Sharpie pen. I used black for regular notes and red for the sharps or flats.  Not cool, you should know just where to put your fingers totally by feel.  However, I don't have time to be cool, I want to actually know where F. G, A, B, and C is on the E string, so I can play chords (arpeggios) without guessing.

Now that that's done, I will familiarize myself with the big neck by playing major scales and arpeggios for the next two weeks.  This will condition my fingers (the bass guitar does not condition them enough for a double bass), get me used to the bigger reach for playing arpeggios, and help me learn all notes on the neck by feel.  While playing major scales and major arpeggios, I will concentrate on producing a clear tone, not a muffled one due to poor fingering.

Playing a double bass is much more physically demanding than playing a bass guitar, so my initial practice routine, as described above, should get me in shape over the next couple of weeks.

To keep the practice interesting, I will also play the double bass to some fairly easy songs and record it to discover weak spots in my playing.

I will allocate a minimum of one hour a day on double bass practice.  The above practice plan is meant mostly to get my into physical shape to play double bass.

Back to Square One

I have been practicing with a local group here in Hollister, but they have other commitments and can only practice infrequently.  For that reason, I won't wait for them and any other bands, I will practice on my own.

My goal is to play string bass for jazz standards, jazz swing and mellow jazz.  Therefore, I will discard all practice of other music genres and concentrate on what I love.

I am currently gathering sheet music and chord charts of songs from "the Great American Song Book," that is, standards like "Moon Glow," "Star Dust," "Misty," "All of Me," etc.  I will make it my business to learn many of these songs, and then look for a jazz trio or quartet who loves the same music.

I am cutting to the chase.

Bassist Belinda Underwood Coming to Monterey Bay Area

Belinda Underwood

Belinda Underwood is a jazz bassist and singer from Portland, Oregon. The lady has talent, and she inspires me to go pick up my bass and practice. She will be coming to the Monterey Bay area soon for public performances. I hope to go see her.  In the video below, she plays bass to "Don't Get Around Much Anymore."  This is the kind of music I want most to play:  jazz swing/jazz standards.



I never heard of Belinda Underwood before today.  I learned of her through a link on the Monterey Bay Craig's List (under Musicians).  I watched a couple of her videos on YouTube and became an instant fan.  As well as being an accomplished bassist, she is also an incredible singer.  I purchased her first album online and downloaded it as mp3 files for instant listening.  You can buy her albums at this link.

It's hard to believe someone so talented (not to mention beautiful) isn't better known.  Vocally, she is as good as Diana Krall or Norah Jones.

Some Thoughts on Playing String Bass

My Fully Carved String Bass,
a Calin Wultur Panormo

I have been practicing and gigging with the band herein for a year and a half.  During that time I have used my electric bass guitar exclusively.  I own two string basses, one a laminate and the other a fine carved bass.  My two string basses were only gathering dust in my music room at home.  Oh, I would practice on them from time to time, but the strings hurt my fingers too much and there seemed to be little opportunity to actually play them with the band.  For one thing, string basses are large and not easy to transport.

Here's how I started to actually use and play my string basses.

1.  I changed the strings from heavy gauge to medium gauge, making the basses easier to play and more comfortable on my sore fingers.

2.  I took the laminate bass to our practice room and left it there (on a bass stand).  Now it will be there for each and every practice, making it unnecessary to transport it every time.

3.  I started actually playing the string bass with the band, and this is an important point.  If you want to learn to play string bass, then play the darn thing.  It won't play itself, and once you begin, you start becoming familiar with the instrument and learning the best techniques for playing it.  (You won't bother learning the best techniques until you have a pressing need to do so, i.e. because you are actually playing the bass with a band.)

So I began playing string bass with "Stray Cat Strut," an easy song for bass and a nice starting point for my career as a string bassist.  Once you have begun, you can move forward.  I'm excited by the possibilities.

Note:  You really must amplify your bass in order to be heard.  I use a $90 simple bass microphone that plugs into my bass amp with a regular guitar cord.  You can order these from Gollihur Bass at this link.

"Stray Cat Strut" With String Bass!

I finally tried out my string bass with the band.  It worked out better than I thought and the band loved it.  I will be using my string bass more for appropriate songs.  Meanwhile, check out these videos from our last practice (sound quality is limited due to use of a Canon hand-held camcorder).

Stray Cat Strut  (Kenny does a great job on vocals here)


Groovin' (Not really a string bass song, but this was an experiment)


Susie Q